Fitness Is Religion: Keep the Faith Ray Kybartas  
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Trainer to the stars Ray Kybartas is one of those guys who has gone through the entire spectrum of the modern fitness movement: he was an overweight slug who became so motivated (by watching the movie The Jericho Mile) that he jumped into fitness with all his heart and soul. Fitness became, as he notes in the book's title and in many other places, his religion. Madonna, his most famous client, calls their workouts "church." In this book he lays out his ecclesiastical exercise philosophy, with lots of practical advice on how to eat and train, and one big motivational message: fitness, like spiritual enlightenment, is a lifelong pursuit, not a temporary fix. It's an appealing message—simple but surprisingly eloquent.

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The Daily Show with Jon Stewart Presents America (The Book): A Citizen's Guide to Democracy Inaction Jon Stewart The Writers of The Daily Show  
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Amazon.com Exclusives

Featuring a foreword by Thomas Jefferson, a Dress the Supreme Court layout, and, oddly enough, a profile of George "The Iceman" Gervin, America (The Book): A Citizen's Guide to Democracy Inaction, from Jon Stewart and the writers of the Emmy Award-winning The Daily Show, is by far one the most irreverent and wittiest (and may we add smartest) political book you're likely to encounter. Amazon.com spoke with Jon Stewart a few days before the 2004 publication of America (The Book) and they discussed bald eagles, magical talking cats, Thor Heyerdahl, and much more

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Prehistory of the Far Side Gary Larson  
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Welcome to the exhibit: a spectacular retrospective of more than 300 Far Side cartooons - in both black and white and color. The exhibit is not Larson's most popular cartoons; it is his own personal favorites. And indeed, this is the first glimpse Larson's millions of fans worldwide have ever had of the personal side of Gary Larson. As Larson says in his Foreword, "This may or may not be of particular interest to anyone, but my therapist says it should do ME a lot of good." As with all great exhibits, it begins by putting The Far Side, and Gary Larson, in context. In the first section, "The Origin of the Species," we see Gary's childhood drawings, such as the one done in black crayon, of little Gary sitting on top of a tire, his earliest memory of riding in the car on vacation. The next documented section, "Evolutioon of the Species," gives the view the first insights into the creative process of Gary Larson. (He admits, for example, that "off days" are a part of life, whether you're a cartoonist, a neurosurgeon, or an air-traffic controller.) In this section we see cartoons that worked - and often, surprisingly, how he made them work better. Then there is the section called "Mutations," the ones that didn't work because somebody (no names heres) goofed up. And finally, leading up to the exhibit itself, the section "Stimulus/Response," in which Gary shares some of his fan mail: "You should be severely reprimanded by animal protection authorities, in newspaper publication, and, if possible... you should be fined at least $1,000 for each such cruel cartoon." And Larson's defense: Complaints are "usually from people who misinterpreted the cartoon and were angered by a cartoon they didn't 'get.' Well, hell - I don't understand all my cartoons." We also see never-before-published cartoons that landed on the editorial cutting-room floor. So here's the whole history of The Far Side, some ten odd years - from Mesozoic to Modern, from Early Weird to Late Weird. Only Larson thinks it may not be very interesting, but as he says, once "you've got it in your brain cells you're stuck with it."

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The New York Times Manual of Style and Usage : The Official Style Guide Used by the Writers and Editors of the World's Most Authoritative Newspaper Allan M. Siegal William G. Connolly  
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"A foolish consistency," Emerson insisted, "is the hobgoblin of little minds." That may well be, but editors have enough reasons to reject your work; don't let sloppy inconsistencies be one of them. The New York Times Manual of Style & Usagewas written for the paper's editors and writers, but it is a fine, up-to-date resource for anyone's use. Our language is ever-mutating, and a guide such as this will ensure that you understand the impact your words might have before they reach print. Should you use Native Americansor American Indians? Debarkor disembark? Did you know that thermosis no longer a trademark, but that Popsicleand Dumpsterare? Writing, when you get down to it, is nothing more than the careful choosing of words. This style book will ensure that you don't choose caratwhen you mean karat, jury-riggedwhen you want jerry-built, chow chowwhen chowchowis called for, or V-8when you could have had a V8. A naysayer may bridle against the strictures of such a rule book, but the authors believe "the rules should encourage thinking, not discourage it." Plus, "a rule," they say, "can shield against untidiness in detail that might make readers doubt large facts." We'd call the book "user-friendly," but that, we've learned, can be downright "reader-tiresome."—Jane Steinberg

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One Day, All Children: The Unlikely Triumph of Teach for America and What I Learned Along the Way Wendy Kopp  
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"A diary for a social entrrepreneur, an inspiring how-to guide for young people with big dreams, a thoughtful tale of the ups and downs of a decade at the stunningly successful non-profit organization"—New York Times

From her dorm room at Princeton University, twenty-one-year-old college senior Wendy Kopp decided to launch a movement to improve public education in America. In One Day, All Children... , she shares the remarkable story of Teach For America, a non-profit organization that sends outstanding college graduates to teach for two years in the most under-resourced urban and rural public schools in America. The astonishing success of the program has proven it possible for children in low-income areas to attain the same level of academic achievement as children in more privileged areas and more privileged schools.

One Day, All Children...is not just a personal memoir. It's a blueprint for the new civil rights movement—a movement that demands educational access and opportunity for all American children.

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Songs of Innocence and Songs of Experience William Blake  
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Two classics of English poetry, alternately describing childhood states of innocence and their inevitable corruption by a harsh and unjust world. Contains the full texts of all the poems in the original 1794 edition of both collections. Alphabetical lists of titles and first lines. Publisher’s Note.

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The Children in Room E4: American Education on Trial Susan Eaton  
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In a country long divided by race and class, Susan Eaton set out to see if separate can ever really be equal. She immersed herself for four years in one of the best all-minority schools: Simpson-Waverly Elementary,which has been declared a Blue Ribbon school by the Bush Administration. Located in Hartford, Connecticut, the poorest city in the wealthiest state in the nation, it is a glaring example of the deepening educational disparity found across the country— in cities like Detroit, Miami, Newark, Providence, St. Louis,Milwaukee, and Fresno.

In the style of a documentary filmmaker, Eaton follows Simpson-Waverly’s star student, his classmates, and their extraordinary teacher in a school that is racially isolated, overburdened, and cut off from mainstream society. She reveals the long odds against the success of even the brightest students and the way cities like Hartford have become ghetto-ized.

Meanwhile across town, Eaton follows an intrepid team of civil rights lawyers as they fight a legal battle to end the enduring segregation that beleaguers not only Simpson-Waverly but hundreds of other schools around the nation. In this groundbreaking account, Eaton goes inside the classroom and the courtroom to disclose the unsettling truths about an education system that is leaving millions of children behind.

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Rules of the Red Rubber Ball: Find and Sustain Your Life's Work Kevin Carroll  
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With simple but delightful storytelling, Kevin Carroll channels his childhood passion for sport and play into a universally appealing blueprint for life. Drawing wisdom from the playgrounds of his youth, where he spent hour upon hour sharpening his body and his mind, Carroll shares with readers his Rules of the Red Rubber Ball how to achieve maximum human potential through the power of passion and creativity. Finding your own red rubber ball and chasing it to your hearts content, he argues, is the surest route to peace, prosperity, and happiness. Over the years as an athletic trainer and public speaker, Carroll has transformed his philosophy into seven simple rules that any successful leader will endorse: 1) Commit to it 2) Seek out encouragers 3) Work out your creative muscle 4) Prepare to shine 5) Speak up 6) Expect the unexpected 7) Maximize the day With an award-winning design and color photos throughout, Rules of the Red Rubber Ball will inspire the child in everyone for generations to come.

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The Devil's Teardrop Jeffery Deaver  
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Thriller readers can always count on getting extra value from Jeffery Deaver—strong plots, fascinating research, believable characters, and plenty of surprise endings. Like in The Terminator, the bad guys in The Devil's Teardropjust won't quit, and they create enough havoc in the last 50 pages to fill a whole new book.

Although Deaver's brilliant, wheelchair-bound forensic expert Lincoln Rhyme makes a guest appearance, the muscular scientist in charge here is Parker Kincaid—an expert in document analysis who'd much rather be checking the authenticity of letters from Thomas Jefferson than figuring out when a crazed shooter known as the Digger will strike again. But it's New Year's Eve, 1999, and the Digger has begun a reign of terror—promising to shoot into crowds in Washington, D.C., every four hours until he's paid $20 million. As Kincaid searches an odd ransom note for clues (and tries to maintain a low profile so that his vindictive ex-wife won't get custody of his young kids), we get to know the Digger better. He is a frighteningly invisible character with serious brain damage, who methodically obeys a set of instructions from an unknown handler. We also learn many amazing facts about paper, ink, and handwriting analysis, and watch as a relationship slowly and reluctantly develops between Kincaid and the FBI agent in charge. All this as the devious Deaver leads us down several garden paths overflowing with dead bodies. —Dick Adler

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The Five Temptations of a CEO: A Leadership Fable Patrick M. Lencioni  
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Imagine running into the ultimate management mentor late one night on an otherwise deserted commuter train, and walking away from the strange encounter with an encapsulated guide to success in the corporate world. That's exactly what screenwriter and business coach Patrick Lencioni has done in The Five Temptations of a CEO: A Leadership Fable, placing his tale in an easy-reading and thought- provoking kind of self-help novel.

Designed to be read in a single sitting, this book uses the unexpected meeting between troubled high-tech honcho Andrew O'Brien and a mysterious old man named Charlie to explore a series of common traps that can unwittingly ensnare any hard-driven executive. Lencioni hones in on the five "temptations" of the workplace: desires to jealously guard career status, consistently remain popular with subordinates, unfailingly make correct decisions, constantly strive for an atmosphere of total harmony, and always appear invulnerable. A discussion of the story's events and their real-world implications follows, as Lencioni shifts from screenwriter mode to business coach to help answer some of the questions he raises. —Howard Rothman

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The Moose That Roared: The Story of Jay Ward, Bill Scott, a Flying Squirrel, and a Talking Moose Keith Scott  
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Although Rocky and His Friendsremains the cleverest and best-loved cartoon series of the baby boom era, information about the creation of the program is notoriously hard to come by. Jay Ward declined to give interviews in his later years, key artists have died, and virtually nothing survives from the hastily organized studio in Mexico City where much of the animation was done. Despite these handicaps, Australian actor Keith Scott, the voice of Bullwinkle in the 2000 film, has assembled an impressively complete studio history.

Unlike other television cartoon producers, Ward and his partner, writer and voice actor Bill Scott, insisted on making shows they thought were funny. The witty scripts, read by a cast of superb voice artists, remain as entertaining today as they were when Rockydebuted in 1959. And, as Scott documents, what occurred off-camera was often just as zany. The Coney Island Film Festival, a lavish publicity stunt to promote "Fractured Flickers," Ward's send-up of silent films, turned into a spectacular disaster when a rainstorm drenched the park—and the guests. The book has some weaknesses: there are only a few black-and-white illustrations, and Scott fails to address the impact of the cartoons—Matt Groening has frequently cited them as an influence on The Simpsons. The often repetitious text would have benefited from judicious editing. These caveats aside, The Moose That Roaredwill delight the legions of vociferous fans whose love for Rocky, Bullwinkle, Boris, Natasha, Dudley Do-Right, George of the Jungle, Super Chicken, Fred, and the rest of the Jay Ward characters continues, 40 years after Rockybegan its initial run. Also available: the original cartoons on VHS, the large-format episode guide The Rocky and Bullwinkle Book, and Fractured Fairy Tales, updated by an Entertainment Weeklywriter. —Charles Solomon

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